“When Richard B. Woodward wrote on Lee in the November 1989 Artnews, he referred to a photograph from 1970, taken in a Las Vegas motel room of me standing in a block of light against a dark wall, with Lee’s shadow imposed on my body. For him the picture read “as…a portrait of a marriage in which [Lee’s] photography has overshadowed both their lives.” In a way, all of these photographs, not just that one, were formed because photography did indeed overshadow all four of our lives.”

Maria Friendlander in her essay, The All of It, a prologue to Lee Friedlander’s book Family

Read my post on marrying a photographer here: http://littlebrownmushroom.wordpress.com/2012/01/09/on-marrying-a-photographer/